“Aftermath of a Lengthy Rejection Slip” appeared in the March-April issue of Story in 1944, and “20 Tanks from Kasseldown” was published in Caresse Crosby’s Portfolio III (1946), alongside work by Henry Miller, Federico Garcia Lorca, Jean Genet, and Jean-Paul Sartre. Writing under his middle name, Charles, Bukowski had some early success. Exempted from military service for psychological reasons, he spent the war years writing and traveling, supporting himself at a variety of menial jobs including stock boy, dishwasher, elevator operator, and Red Cross orderly. In 1939 Bukowski enrolled in Los Angeles City College, but he took little interest in his studies and in 1941 dropped out to pursue a writing career. Along with playing the horses and classical music, they were to remain lifelong comforts. ![]() As a teenager Bukowski discovered two remedies for his pain: alcohol and literature. Living under constant stress, he developed one of the worst cases of acne vulgaris his doctors had ever seen. In 1936 Bukowski entered Los Angeles High School, where he continued to feel unpopular and out of place. His father beat him regularly with a razor strop and he was teased and bullied by his classmates at the Virginia Road Elementary School and later at Mount Vernon Junior High. The family left for the United States in April 1923, living briefly in Baltimore, Maryland and Pasadena, California, before settling permanently in Los Angeles, where Bukowski, Sr., found work as a milkman.īukowski’s childhood was a living nightmare. 9 March 1994 in San Pedro, California), hard-drinking novelist, poet, and short-story writer best known for his autobiographical screenplay Barfly (1987).Ĭhristened Henry Charles Bukowski, Jr., in the Roman Catholic faith, Bukowski was the only child of Henry Charles Bukowski, an American sergeant stationed in occupied Germany, and his wife, Katherine Fett, a German seamstress. no hay nunca una palabra de más, eliminable o sustituible» (Fulvio Stinchelli). «Su prosa es el resultado de un arte que opera por sustracción, no por acumulación. «Mujeres parece una historia sobre sexo y borracheras, cuando en realidad es un poema sobre el amor y el dolor» (Los Angeles Times). Bukowski parece sugerir que las alternativas - es decir, una carrera más respetable, literaria o la que fuere - son aún más deshumanizadas. Todo ello unido a incontables borracheras: el alcohol en tanto que mecanismo que le permite seguir viviendo, a la par que le destruye. Y, a la vez, este gigantesco maratón sexual es un proceso de aprendizaje, de conocimiento, en el que Bukowski no escatima sarcásticas observaciones sobre sí mismo, y en el que en el machismo de textos anteriores queda seriamente erosionado. Y Chinaski las quiere todas, quiere desquitarse de sus largos años de forzadas abstinencias. ![]() Se le ofrecen en los recitales de poesía, le escriben cartas procaces, le telefonean sin cesar. Es una manera interesante de matar el tiempo en los aeropuertos.» En Mujeres, una de las más aclamadas novelas de Bukowski, su alter ego Henry Chinaski, el «viejo indecente», un perdedor nato, se encuentra a los cincuenta años con una creciente reputación literaria, algún dinero en el banco y mujeres: montañas de mujeres. Cuando veo a una mujer la imagino siempre en la cama conmigo. ![]() «Hay en mí algo descontrolado, pienso demasiado en el sexo. Interiores: sin marcas y en excelentes condiciones.
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